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Tag: African American

January 7, 2026 by Edith Campbell

Interview: Sharon G. Flake

I give young characters in my novels the power of choice, the ability to fall and rise again to conquer a situation, their fears or something that may have a strangle hold on them for the moment. 

December 26, 2025 by Edith Campbell

review: Hattie Mae Begins Again

Hattie May had learned her place in the US quite well, but now that she was in a much larger, more established Black community, she has a lot to learn about her identity among her own people.

December 10, 2025 by Edith Campbell

review: Balancing Act

Lives are validated not through what reviewers often see as ‘gritty’ but a very nuanced layering of Black classicism.  Even though she provides a fictitious urban setting, these teen’s reality isn’t directly about racism, income, or gender. It’s about the balancing act they do to survive every day.

More Recent Posts

review: The Leaving Room

November 19, 2025 by Edith Campbell

In typical McBride fashion, the lines and verses evoke a story that is more shadow play than structure.

review: The Family I’m In

September 17, 2025 by Edith Campbell

John John is the perfectly imperfect teen who is struggling to shape his own identity but can’t avoid the antiquated reach of his dad.

review: Original Sins

July 28, 2025 by Edith Campbell

While Ewing’s writing style is accessible and engaging, I found myself taking breaks to reflect on bits of information while simultaneously wanting to pass the book along so that I could talk with someone about the bits of information I was digesting.

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interview: Dr. Sonja Cherry-Paul

June 23, 2025 by Edith Campbell

. I hope this book takes young readers to a place of hope, understanding that when we confront the carefully constructed myths about the country, consider who benefits from this and who is harmed, when we are finally able to dismantle this legacy of lies, we can heal and be fully free.

INTERVIEW: Cheryl Willis Hudson

January 3, 2025 by Edith Campbell

Music is an especially emotive form of storytelling. It’s truly a universal language and I hope readers will take away an appreciation for spirituals as a valued basis for so much of the music produced in the USA.

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